Here’s where my head has been the last few days: setting as
character. I googled that phrase to
validate and reinforce what I already knew.
"It's a reflection of the characters. It acts on
the characters. It provides an almost inexhaustible source of details
that can help you tell your story more vividly or give you an entirely new set
of ideas." (absolutewrite.com)
"Bharti (Kirchner)says that you know you've achieved it if
you take the story and set it in a another city and then examine it. Is it the
same story? If the story no longer works, then you know you've made setting a
character." (navigatingtheslushpile.blogspot.com)
"Setting can actually serve a dual role in that it can be not
only the backdrop for your story, but it can also serve characterization
through symbol." (warriorwriters.wordpress.com)
Why am I stuck on setting as character? Because my
setting, my hometown, makes me crazy. I love it. I hate it. I wish I could move far away, yet
when I think about the nuts and bolts of everyday life, I can’t imagine living
anywhere else. I think, “What kind of writer can I hope to become if I can’t
see even that much?” Then my brain shouts back that Emily Dickinson never lived
anywhere but Amherst and maybe I’m selling myself short and it’s not my location
holding me back. Maybe my limitations are self-imposed. Ouch.
Here are some notes on setting that have been bubbling
inside me the last week or so.
For two decades, I’ve been driving the same four-mile route
to and from work: mostly quiet streets, two traffic lights, one rotary. One day
last week, one of the quietest, prettiest streets was lined with rattling television
news trucks chugging exhaust, rude spewing critters. Satellite dishes bloomed on
spiky towers, cables slithered everywhere. No one cared that we drivers were trying
to move from one end of the road to the other. All eyes were focused on a squat
beige duplex with a No Trespassing sign nailed to the deck off the side yard.
The most recent renter of the back apartment had just that
day been sentenced to twenty-seven years in prison. He is a child pornographer
and a child molester/cannibal in training. There’s a torture chamber in the
cellar of that little house, a home I never thought twice about in the 10,000 times
I’ve driven past it and the thousand or more times I’ve run by it. But I know others
on the street. The house one down is a pretty brick mini-mansion I once
fantasized about owning. The house across the street is home to a teacher I
know. A gym friend lives four lots away. My daughter’s viola instructor’s house,
wide shingled porch with rhododendrons all about, is just over the hill.
I don’t know where this guy came from or how he got to be
who he is. That’s one thing I noticed in the stories. No one was quoted saying,
“I knew so and so back in high school when we were in the senior play together.”
Or, “He used to pick his nose in fourth grade.” No reference to a childhood, no history, in my
city at least, which is a city where we greet each other by playing our local
version of the six degrees of Kevin Bacon game: Where did you go to high
school? Did your uncle live on Vernon Hill? Did your parents own that grocery
store on Grafton Street? Did you go to Holy Name or St. Peter’s? Ever been to
Moynihan’s?
Here’s what I mean. I walk into a local restaurant where I’m
meeting my parents for dinner. I don’t walk into the restaurant and describe
what my parents look like. Cindy the hostess greets me by name and asks how I’m
doing and before I can get a word out starts leading me to my parents, talking
the whole time about her summer – she spent a lot of time down the Cape -- and
asking about mine. Our kids went to school together. She and I used to work together.
We’ve known each other over a
generation, but we haven’t seen each other since June so we have a lot of
catching up to do, which we do with my mom and dad joining in too, until Cindy
gets called back to work.
A day later, I’m at the gym and I need to get a balance ball
from off the rack. There’s an older gent in the way, arranging his glasses, so I
need to wait a few seconds. He moves slowly. His fingers tremble. He hangs the
glasses from a thin PVC pipe, then changes his mind and places them on a shelf.
He’s wearing a T-shirt from my college, the T-shirt every alum gets for attending the
reunions.
He finally notices me and apologizes for being in the way. I
shake my head. He’s not inconveniencing me. His shoulders are stooped. He’s thin
and about my height. I notice his blue eyes are watery and faded almost to grey,
like my dad’s.
“What year did you graduate?” I point to his shirt and tell
him my year.
He smiles at me. “Was supposed to be ’47 but ’49 because of
the war.”
I wondered if he knew my dad, who didn’t go to the same school
but is near enough in age. So I ask where he went to high school. The answer is
not my dad’s high school but we continue talking. He went to St. Stephen’s
until grade eight, and so did my dad.
No he doesn’t know my dad but he asks if I’m related to a
guy who happens to be my uncle Arthur who passed away twenty years ago. That
means he knows my mother too. We talk about my family. We talk about our hills,
Vernon and Grafton. We talk a little about college.
I say I’m seeing my parents later that day and could I ask
his name so I can tell my mom he said hi. Turns out the gent I’ve been talking
with for fifteen minutes now is my old pediatrician.
“Do you remember me? I had braids? I was fat?”
He shakes his head no. He laughs and says he was fat back
then too.
When we finally finish talking, I go to the mats to do some
weights and the doctor returns to his workout. Out of the corner of my eye I
watch him do wall push-ups and stretches. I remember I was never afraid of
going to see Dr. R. He was a gentle man. He was also the fattest man I’d ever
seen. I remember he wore white shirts and black ties. He smoked.
The doctor started to leave and the guy at the other end of
the mats stops him. He says he couldn’t help but overhear our conversation.
“You were my pediatrician too,” he says. “You remember me?”
The doctor grins and taps his head and says something about
old age and forgetting.
The guy says he doubts the issue is forgetfulness or age. He’s
sixty now, so he’s changed quite a bit since the last time Dr. R saw him. Plus,
he didn’t have the full beard back then.
When I go visit my parents that night I tell them I met Dr. R. I say I almost told him the story of the prescription. My mother
frowns and asks what I mean. When I explain, she corrects my story.
It didn’t involve him at all, she says. It didn't involve prescriptions. It was about
over-the-counter vitamins.
I was two. We were snowed in -- nor'easter. We lived
halfway down a steep street, on the second floor of a three-decker on Vernon
Hill. Even in good weather, the street was treacherous. My mother had run out of cigarettes, Kent 100s. I remember
the carton, glossy white with gold trim, because once I was old enough to
walk the four blocks to the store by myself – I was probably five – I was sent out
for cigarettes once a week or more.
I imagine windows shaking in their frames. Snow is piling up
outside, making streets and sidewalks impassible. There’s no way she can get
out. In a panic, my mother called our neighborhood drug store, Oscar’s. She
explained her dilemma: the baby, her one and only precious child, needed her
vitamins. Could someone please deliver them?
The owner’s son explained he was
the only one in the store. Plus, the weather was awful. My mother begged. She
probably said I was sick. Or that I was cranky. I don’t really know. The story
changes a bit each time she tells it. Finally, she broke him down and he agreed
to close the store and trudge through heavy snow and gale winds so that I could
have my vitamins.
Next comes the punchline: "And as long as you’re coming, could you bring me a carton of
cigarettes too? Thank you so much."
My mother always cackles when she gets to that part. She's quite the character. So is my city.
My mother always cackles when she gets to that part. She's quite the character. So is my city.
Maureen, you have a future in memoir. Such rich stories -- and isn't setting key? I am the opposite of you, moving often and never growing deep roots. But that's story, too. I look forward to reading more! Kathy
ReplyDeleteThanks so much Kathy! You are so right! Setting is key!
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